On Feb 20,1997, I attended a cushy device that was performed by Barbara Wieman. The performance was held at the American River College Music air division choir room. The choir room holds about 100 kettle of fish and e actually seat was taken and students were seated on the floor. The listening was dressed casual as e veryone was students trying to do their plan papers. Barbara Weiman was also dressed casual besides nice. The piano concert started at 12:20pm and was finished at 1:05pm.                                 The broadcast started with a percentage from L.V. van Beethoven distinguished Sonata in F minor, Op.57. This section can be characterized by an intense, hammy hold of displace dynamics. It was as if the crescendo was not allowed to climax, so is aborted by a sudden change to pianissimo. The so called Beethoven motif was employ throughout the piece, very power liberal phase of the moony I might add. Barbara Wieman was very gay performing this piece and seemed to be very ablaze date playing. This piece was very distinct and there was an effective use of rests that was displayed. I would call this piece very serious.                 after(prenominal) Beethoven we were toughened to F. Schuberts Impromptu in G tight Major, Op. 90, No.3. This piece was very pleasing to the ear so we could call this consonant. The music seemed to arise and had a great rhythm. This piece was amative in personality and probably that is why it was written in the romantic era.

                !                                 C. Debussy s Feux dartifice (fireworks) was the future(a) piece played. The harmony was very obscured in this piece of music. The story trying to be presented in this piece was as if fireworks were exhalation off. The notes were ever changing and there was a very superb uses of all... Choir room??? I am risky but I have never heard of such junto of words. Absort?? Is there such a word? Doesnt anyone fiat their judge anymore? If you want to get a full essay, recite it on our website:
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